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Samuel Ricke

Requiem in D Minor, K. 626, III. Sequentia: Lacrimosa By W. A. Mozart

Samuel Ricke

3:36	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	0	6	3	100%
Violino I.	27	1	9	2	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	0	6	3	100%
Violino I.	27	1	9	2	100%
Violino II.	18	1	7	3	100%
Violoncello, Basso ed Organo.	33	0	13	2	96%
Organ	32	56	12	3	93%
Basso.	19	0	6	6	89%
Soprano.	18	0	6	5	89%
Tenore.	15	0	5	6	89%
Trombone II.	15	0	5	5	87%
Trombone III.	19	0	6	5	87%
Alto.	16	0	6	6	86%
Corni di Bassetto.	21	3	8	6	84%
Fagotti.	26	3	9	6	84%
Trombone I.	16	0	6	5	83%
Trombe in D.	4	3	0	4	39%
Timpani in D.A.	2	0	0	2	37%

Mozart: Requiem - III. Dies Irae

Samuel Ricke

1:50	Est. Play Time
68	Measures
	2,215Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	40	85	15	6	100%
Viola.	21	0	7	5	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	40	85	15	6	100%
Viola.	21	0	7	5	100%
Violino I.	30	2	11	6	100%
Violino II.	26	0	9	7	100%
Violoncello, Basso ed Organo.	37	0	14	3	100%
Fagotti.	26	15	9	6	99%
Corni di Bassetto in F.	17	1	5	6	90%
Alto.	11	0	2	5	85%
Basso.	15	0	5	5	85%
Soprano.	14	0	5	5	85%
Trombone alto.	11	0	2	5	85%
Trombone basso.	15	0	5	5	85%
Tenore.	13	0	5	5	84%
Trombone tenore.	13	0	5	5	84%
Trombe in D.	5	6	0	5	62%
Timpani in D. A.	2	0	0	3	57%

Requiem in D Minor, K. 626, V. Sanctus By W. A. Mozart

Samuel Ricke

1:29	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	17	44	5	6	92%
	20	0	5	4	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo	17	44	5	6	92%
	20	0	5	4	100%
Basso	16	0	4	5	97%
Contrabasso	18	0	5	4	97%
Violoncello	20	0	5	4	92%
Fagotti	19	7	4	5	92%
Tenore	14	0	3	5	89%
Viola	23	0	6	5	89%
Alto	14	0	2	6	76%
Violino II	20	3	4	5	76%
Soprano	13	0	2	5	71%
Violino I	21	0	3	5	71%
Trombe in D	7	11	0	3	49%
Timpani in D, A	2	0	0	4	45%
Corni di Bassetto	10	0	1	4	43%
Trombone Alto	7	0	1	4	29%
Trombone Basso	13	0	4	3	29%
Trombone tenore	9	0	2	4	29%

Requiem in D Minor, K. 626, VII. Agnus Dei By W. A. Mozart

Samuel Ricke

2:56	Est. Play Time
51	Measures
	1,046Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso	18	0	6	3	94%
Violino I	29	2	10	6	94%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasso	18	0	6	3	94%
Violino I	29	2	10	6	94%
Violoncello	18	0	6	3	94%
Viola	17	8	6	4	92%
Violino II	30	2	11	5	92%
Soprano	16	0	4	4	88%
Alto	14	0	5	4	84%
Basso	18	0	6	4	84%
Tenore	15	0	5	4	84%
Corni di Bassetto	20	0	6	6	73%
Fagotti	25	8	9	4	71%
Organo	20	32	9	4	69%
	16	2	6	3	69%
Trombone Alto	8	0	3	3	53%
Trombone Basso	13	0	5	3	53%
Trombone tenore	8	0	2	3	53%
Trombe in D	5	2	0	4	17%
Timpani in D, A	2	0	0	4	14%

Mozart: Requiem - II. Kyrie

Samuel Ricke

2:57	Est. Play Time
52	Measures
	2,480Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	33	142	13	7	98%
Violoncello, Basso ed Organo.	37	0	13	7	98%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	33	142	13	7	98%
Violoncello, Basso ed Organo.	37	0	13	7	98%
Basso.	16	0	5	7	98%
Trombone basso.	16	0	5	7	98%
Fagotti.	23	1	8	7	95%
Alto.	19	0	7	7	92%
Trombone alto.	19	0	7	7	92%
Violino II.	19	0	7	7	92%
Soprano.	21	0	7	7	90%
Violino I.	21	0	7	7	90%
Tenore.	18	0	6	7	88%
Trombone tenore.	18	0	6	7	88%
Viola.	18	0	6	7	88%
Corni di Bassetto in F.	24	1	9	7	87%
Trombe in D.	4	3	0	5	26%
Timpani in D. A.	2	0	0	5	23%

Michael Haydn: Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155 - I: Requiem et Kyrie

Samuel Ricke

6:41	Est. Play Time
70	Measures
	2,953Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	78	8	8	100%
	22	0	8	5	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	78	8	8	100%
	22	0	8	5	100%
Bassi ed Organo.	22	1	8	5	100%
Contrabasso.	22	1	8	5	100%
Fagotto.	22	1	8	5	100%
Violino II.	29	0	10	8	100%
Violino I.	29	0	10	9	99%
Alto.	10	0	2	4	7%
	14	0	5	7	80%
Soprano.	16	0	5	9	76%
	6	0	1	4	4%
Trombone I.	13	0	4	7	74%
Basso.	3	0	1	3	4%
	17	0	7	8	73%
Tenore.	8	0	2	4	7%
	13	0	3	7	70%
Clarini in C.	8	8	1	6	70%
Trombone III.	17	0	7	8	67%
Trombone II.	13	0	3	7	64%
Trombe in C.	4	2	0	5	55%
Timpani in C.G.	3	0	0	5	49%

Bach: Ich hatte viel Bekümmernis, BWV 21 - XI. Das Lamm, das erwürget ist

Samuel Ricke

3:27	Est. Play Time
68	Measures
	2,312Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	31	5	7	96%
	23	0	7	8	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	31	5	7	96%
	23	0	7	8	100%
Organo e Continuo.	23	0	7	7	100%
Violone.	23	0	7	8	100%
Basso.	19	0	6	5	97%
Tenore.	17	0	4	6	96%
Alto.	15	0	3	6	88%
Soprano.	17	0	4	6	85%
Violino I.	20	0	4	7	78%
Oboe.	17	0	3	7	76%
Viola.	22	0	5	7	76%
Violino II.	21	0	5	7	76%
Fagotto.	19	0	4	7	75%
Tromba I.	12	0	2	6	60%
Tromba II.	10	0	1	6	60%
Tromba III.	8	0	0	5	54%
Timpani.	2	0	0	5	50%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
Continuo.	24	1	7	5	100%
Fagotti.	24	1	7	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	12	0	2	4	98%
Flauto traverso II. Oboe II.	11	0	2	5	98%
Oboe II.	11	0	2	5	98%
Violino II.	12	0	2	5	98%
Flauto traverso I. Oboe I.	14	0	3	4	93%
Oboe I.	14	0	3	4	93%
Soprano.	14	0	3	4	93%
Violino I.	14	0	3	4	93%
Violone.	22	0	7	5	93%
Basso.	19	0	6	4	91%
Tromba I.	9	0	1	5	43%
Tromba II.	9	0	1	5	30%
Timpani.	2	0	0	5	22%
Tromba III.	11	0	1	6	22%

Mozart: Symphony No. 39 in E♭ Major, K. 543: IV. Finale "Allegro"

Samuel Ricke

8:06	Est. Play Time
266	Measures
	3,616Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	33	5	16	7	99%
Violino II.	31	19	13	5	96%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino I.	33	5	16	7	99%
Violino II.	31	19	13	5	96%
Violoncello.	27	0	10	4	82%
Fagotti.	33	52	16	5	81%
Viola.	27	19	12	5	78%
Clarinetti in B.	24	48	7	5	77%
Basso.	27	0	10	4	76%
Flauto.	25	0	11	5	73%
Corni in Es.	13	20	3	5	71%
Trombe in Es.	7	8	0	5	50%
Timpani in Es.B.	2	0	0	4	42%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	0	7	5	98%
	34	0	12	5	99%
View all 24 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	7	5	98%
	34	12	5	99%
Continuo.	27	10	5	97%
Fagotti.	27	10	5	97%
Violone.	27	10	5	97%
Flauto traverso I.	22	7	5	93%
Flauto traverso II.	22	6	5	93%
Violino I.	21	3	6	87%
Oboe I.	19	4	6	86%
Oboe II.	18	5	6	86%
Violino II.	20	5	6	86%
Viola.	16	3	5	85%
Soprano I.	15	3	4	65%
Alto I.	15	4	4	65%
Soprano II.	18	5	4	63%
Alto II.	15	3	4	63%
Tenore I.	14	2	5	63%
Tenore II.	13	2	4	63%
Basso I.	19	6	4	62%
Basso II.	20	7	4	58%
Tromba I.	11	0	4	50%
Tromba II.	10	0	4	48%
Timpani.	2	0	4	38%
Tromba III.	7	0	5	38%

Michael Haydn: II. Dies Irae - Requiem in C Moll (pro defuncto Archiepiscopo Sigismundo), MH 155

Samuel Ricke

11:37	Est. Play Time
291	Measures
	6,237Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi ed Organo.	33	0	12	7	100%
Contrabasses	27	0	9	7	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi ed Organo.	33	0	12	7	100%
Contrabasses	27	0	9	7	100%
Fagotti.	27	0	9	7	100%
Violino II.	29	0	11	9	100%
Violino I.	30	2	13	10	99%
Organo.	23	153	9	6	98%
	27	0	9	7	98%
Soprano.	18	0	7	8	69%
Alto.	16	0	6	8	69%
Tenore.	18	0	7	8	68%
Basso.	21	0	9	7	64%
Trombone I.	16	0	6	7	51%
Trombone II.	16	0	5	7	50%
Trombone III.	19	0	7	7	49%
Clarini in C.	8	9	2	7	34%
Trombe in C.	3	2	0	5	24%
Timpani in C.G.	2	0	0	5	21%

J.S. Bach: Mass in B Minor, BWV 232: VII. Gratias agimus tibi

Samuel Ricke

4:02	Est. Play Time
46	Measures
	1,160Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	1	6	5	100%
Tenore.	15	0	3	5	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo.	23	1	6	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	11	0	1	4	98%
Oboe II.	10	0	1	4	98%
Violino II.	11	0	1	4	98%
Flauto traverso I.II.	14	0	3	5	93%
Oboe I.	14	0	3	5	93%
Soprano I.II.	14	0	3	5	93%
Violino I.	14	0	3	5	93%
Violone.	21	0	6	5	93%
Basso.	19	0	6	4	91%
Fagotti.	21	0	6	5	91%
Tromba I.	9	0	1	4	43%
Tromba II.	8	0	1	4	30%
Timpani.	2	0	0	4	22%
Tromba III.	11	0	1	4	22%

J.S. Bach: Magnificat in D Major, BWV 243 - XII. Gloria Patri

Samuel Ricke

2:29	Est. Play Time
42	Measures
	1,318Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	26	4	8	86%
	18	0	3	7	100%
View all 21 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	26	4	8	86%
	18	0	3	7	100%
Fagotti.	18	0	3	7	100%
Organo e Continuo.	18	0	3	7	100%
Violone.	18	0	3	7	100%
Alto.	15	0	4	9	88%
Tenore.	15	0	4	9	86%
Soprano I.	15	0	5	9	83%
Soprano II.	16	0	4	9	81%
Basso.	18	0	5	9	79%
Flauto traverso I.	17	0	1	8	69%
Flauto traverso II.	17	0	2	8	69%
Oboe I.	11	0	0	8	69%
Oboe II.	14	0	2	8	69%
Violino I.	11	0	1	8	67%
Violino II.	15	0	1	8	67%
Viola.	14	0	0	7	62%
Timpani in D.A.	2	0	0	4	48%
Tromba I.	9	0	1	6	48%
Tromba II.	9	0	0	6	48%
Tromba III.	9	0	0	6	48%